-->
Showing posts with label green. Show all posts
Showing posts with label green. Show all posts

Friday, September 4, 2015

Fall colors!

Fall is almost here! Get ready for the change of seasons by adding some warm, cozy colors to your home. Small changes like a new area rug in the entryway, a vintage blanket draped over the back of a couch in the living room, or the rich colors of Jaspe pottery in a window sill or on a side table, will help welcome in the new season.  Here are some easy ways to start the transition.



WOODARD WEAVE Woven Rug "Geometric Checkerboard" #90-M.
Shown with one of four Framed Vintage Shoe Advertisements.

WOODARD & GREENSTEIN Hooked Rug "Riverton" #403.

Detail of Vintage Blanket.  Mid-20th Century.

Antique Pieced and Applique Quilt. Circa 1885.
Vintage French Jaspe Pottery pitchers.

"Maple Acres" beautiful handmade sign. Pine and hardwoods. Letters made from beaded moldings. New York State, circa 1900. 

Vintage Painted Wood and Cork Dart Board. Circa 1935.


All items are available as of the date of this blog post. Please inquire for pricing, details and availability by emailing: info@woodardandgreenstein.com 

Monday, January 26, 2015

WOODARD WEAVE IN-HOUSE WINNER'S CIRCLE

At the beginning of every new year, we like to look back and see how our family of rug designs are doing. It is impossible to say which ​design we​ like best, but everybody has his or her favorites.

Our Administrative Assistant, Kelly, for example, chose Eaton Square #43-S for her ​brand ​new apartment. We asked her why, and she said "It has an interesting pattern without being too bold. I wanted something with a little color, but a design that would be versatile enough to move with me through different apartments."



Blanche is re​-​doing her wood floors due to water damage from a neighbor's faulty plumbing - ah, the joys of New York City apartment life! - and ​she chose  Geometric Checkerboard #90-G. According to Blanche, "​ The blue  is such a great neutral color - it goes with all my antiques and textiles".  



Having just finished a renovation of her Long Island house, Blanche also selected a number of designs including Water Mill #264 ​"It seems perfect for a house near the beach, yet it has lots of character."​


WOODARD WEAVE'S Somerset #55, is a favorite of many clients. The richly colored stripes on a neutral background seem to be a hit everywhere, and have a universal appeal. 


That same popularity is also enjoyed by  Checkerboard #27-2T, based on a classic design which ​really works with just about every decor, modern or traditional. When in doubt, many clients lean towards Checkerboard#27-2T and know they can't miss.


Hamilton #201-R is a surprisingly popular choice by our clients, some of whom combine the design with Arts and Crafts, Art Deco, and all kinds of contemporary styles.


The larger scale of White River Junction #84-BG in a subtle mix of colors is another winner in WOODARD WEAVE's  ​in-house ​fan club.


Our Reading Collection, #19-D shown here, was inspired by an antique woven rug we found in the rural area near Reading, Pennsylvania. People who made quilts, and it seems like most PA homemakers did during the late-19th and early-20th- Centuries, sometimes set up a loom in their kitchen and made hand woven runners  from leftover fabrics. For area rugs, the strips were sewn together to make large room size  rugs.

For clients who prefer seamless rugs, WOODARD WEAVE has found a way to weave area rugs up to 13 feet wide by any length, while retaining the authentic style of historic carpets.

Thus, a cottage industry was born, and the custom prospered well into the 20th-Century. The strip rugs, as they were sometimes called, were so popular that some companies, like Sears and Roebuck, offered commercial versions of these colorful flat woven rugs.

WOODARD WEAVE is  proud to have helped revive our country's love affair with the 
​authentic historical style that is uniquely American.




Monday, January 20, 2014

The Grand Entrance - Architectural Digest - February 2014




A theatrical term, Grand Entrance, can be defined as an outstanding, attention-grabbing introduction to a character. As a verb, entrance is to to fill with delight, wonder, or enchantment.  Without qualification, both apply to the settings featured in the new Architecture Digest Magazine, particularly the entrance hall recently re-decorated by Mariette Gomez. 


WOODARD WEAVE Stair runner Norfolk #270 adds a strong counter-balance to the dream-like quality of this 1754 Georgian residence in Washington, DC. Old flooring with rich patina is deliberately left bare, a striking contrast to the exotic French scenic wall paper panoramas, as well as the softening texture of the WOODARD WEAVE striped runner on the grand staircase. 


Ms. Gomez has managed to fine-tune a flawless, classic setting, mixing a bit of history with a healthy dose of Hollywood glamour. Reminiscent of 19th-Century American muralist Rufus Porter, the romance of the French wallpaper captures the colorful excitement of historic decor confidently at home in any time period.  WOODARD WEAVE historic designs are inspired by that same vitality. Timeless. 


Image published in February 2014 Issue of Architectural Digest. Article: American Heritage by Douglas Brenner. Photography by Scott Frances. Produced by Howard Christian.



Wednesday, December 19, 2012

Antique Quilts: Celebrating the Holidays



Historically, some of the finest quilts were made to be brought out for special occasions and important events only, like birthdays, anniversaries, Christmas and New Year's. These were the quilts that were carefully handled and preserved, not the utilitarian quilts that were made for everyday use. Holidays offered a time to display the makers' best; those sometimes spectacular displays of exceptional needlework created at home.  

19th- and early 20th-Century mothers and grandmothers were not distracted by things like TV, or jet trips around the world, so they found the time, even while managing a household, to give their undivided attention to quilting. The results were, at times staggering - beautiful, colorful spreads richly filled with fine quilting stitchery. In a way, each quilt in itself was a celebration of the seamstresses’ hard work, determination, and imaginative use of materials at hand, all peculiarly American. Each quilt is a handmade textile greeting card offering warmth and comfort, a personal expression of hope for peace and good will from the quilters of our past.    


Twenty pieced "Sunbursts" explode on a white ground, surrounded with star-like floral motifs and a radiant diamond border. The curious curvilinear motifs appliqued in all four corners add an unusual, art nouveau-like finishing touch. Quilters in 19th-Century America possessed remarkably creative approaches to making bed covers of extraordinary workmanship. 


Here is an exceptional example of a finely appliqued and quilted traditional bed cover of the 19th-Century. Made by a highly skilled quilter, this spread is extraordinarily stitched with elaborate detail. The scalloped inner borders and edges display the work of only the most advanced quilt maker. The "Swag and Tassel" border is on three of the four sides of the quilt, following a nineteenth century tradition which leaves one side for the head of the bed.


Exceptionally large, this finely stitched and quilted spread in a traditional, surprisingly flamboyant pattern, has a mate with slight differences. Pairs or complementing quilts were sometimes made for the dowries of the maker's daughters. It would be difficult to calculate not only the number of stitches but also the amount of love and devotion that went into the making of these outstanding spreads.


The maker set her sights high on this ambitious project - the creation of two magnificent quilts of equal beauty and craftsmanship, perhaps for two daughters to begin their marriages, a popular tradition among 19th-Century American quilters. Slight variations, such as the inner and outer borders, differentiate the two pieces, but both equally retain their rare beauty, thus insuring that neither daughter could ever feel slighted.


Textile folk art flourished in 19th-Century America. It was a time when quilters applied their energies and creativity towards producing bed covers that were not only astonishingly beautiful but uniquely American. Using whatever materials were available and working at home, quilters managed to create pieces that transcended the lowly bedspread and were sometimes worthy of hanging as wall art, although that is a 20th-Century idea. Here, pieced "Lilies" alternate with appliqued "Trees" in a graphic design, delineated by triangle "Sawtooth" outlines, with an outer border of "Vines of Blossoms and Leaves". Quilters never seemed to run out of steam, paying careful attention to every detail all the way to the carefully stitched edges.

 Antique quilt:  "Baskets". American.  Late 19th-Century.  

Although there are many variations of the "Baskets" motif, few are as effectively presented as this example with a rigidly exact arrangement of the motifs.  The "Baskets" are skillfully pieced of solid red with green calicoes, with solid red squares punctuating each quilt block.  The precision of little tin soldiers comes to mind, all lined up on the diagonal across the white ground.  Angular basket handles add a sharp edge to the overall design, and the crisp texture of straight line quilting on a muslin ground provides an effective contrast.

Quilts, America's favorite folk art, are especially welcome to enjoy during the holidays. In some ways, even just viewing their images may offer respite from the tough realities that accompany this 2012 holiday season.  

We at Woodard & Greenstein send you our best wishes for the holidays!