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Showing posts with label woodard and greenstein. Show all posts
Showing posts with label woodard and greenstein. Show all posts

Thursday, December 11, 2014

Dallas County in a New Colorway!

A client asked us if it would be possible to do one of our best selling hooked rug designs, Dallas County, in more primary colors.  Of course we could, and here it is.  

New Dallas County colorway HR#203-B

Original Dallas County colorway HR#203-A

An exciting part of creating our own hooked rug collection is that it offers us the opportunity to vary the designs and colorways in an infinite number of ways, just like the traditional rug makers a century ago.  All our rugs are inspired by 19th- and early-20th-Century designs which have stood the test of time.  

Each of our rugs is hand-hooked with hand-dyed fabrics that produce an individual variation, each with a human touch. We can make this or any other rug in our exclusive collection in virtually any size or shape. A round version , shown here, is especially appealing. 






Tuesday, September 30, 2014

Antique Trade Signs

Antique trade signs were not only decorative but, more important, identified where one could find specific services and products.  Because they were hand painted, each is an original piece of folk art with a purpose.  Before neon signs came to dominate  commercial areas across the country, these painted wood and metal advertisements hung outside shoe repair shops, department stores, pawn shops and every other commercial space open for business.  Now, with shoppers moving steadily towards sources on the Internet, these pieces from another era have gradually become even more treasured.

Painted wood raised letters on striped background.  Circa 1950.  An artist's palette was a favorite motif of the period, and one can assume that after an appointment at this establishment one will look as beautiful as a painting. Condition: Good, with weathered surface.

Painted wood.  Early 20th-Century.  Straightforward and to the point, one knows immediately what is for sale at this emporium.  Condition:  Good, with some age appropriate wear.

 Founded in 1901, the company is still doing business based in New York, NY.  Insurance companies have always been eager to present a stable and reassuring image to customers, and often produced signs with patriotic and historic themes to give a sense of permanence.  Professional sign painters were assigned to create striking, colorful graphics, some of the most effective for insurance companies with an ample advertising budget.  Condition:  Very good.

Early 20th-Century.  Gold painted letters on textured black painted wood background.  Here is a no-nonsense announcement, with a semi-serious effect.  Condition:  Very good.




Early 20th-Century  New York State.  Painted tin with wood frame.  The owners of this business hung a very distinguished sign which has an authentic patina surface.  Condition:  Weathered, mellowed paint.

Circa 1930.  Painted wood.  A simple, graceful sign that gives the impression that the proprietor was an elegant needle worker.  Condition:  Very good, with wear.

Early 20th-Century.  Painted wood.  A festive advertisement for a poultry supplier, in red, white and blue.  Condition:  Very good, with wear.

Tuesday, September 9, 2014

WOODARD WEAVE® Stair Runners

WOODARD WEAVE® Classic American woven rugs are inspired by authentic
​​
 historic patterns, hand-dyed and hand-loomed in the old-fashioned way for over 30 years. 
​Constructed of sturdy, top quality cotton
, our  flat-woven runners are extremely durable and can be installed on virtually any stairs. 

Stair Runners by 
WOODARD WEAVE® 
work miracles on a stairway, even those with corners, curves, angles, you name it! 

Our full digital catalog is available by request by e-mailing:  
info@woodardandgreenstein.com. Please have a look at a few of our triumphs for inspiration:

Somerset #55 brings this stairway to life. The curve at the top of the stairs was nothing to be afraid of.

Dorchester #60 flows magnificently in a cascade of color. 

New Hope #50 brings colorful architecture to these stairs.

Jefferson Stripe #22-A is installed with a mitered corner making this a very smooth landing. 


Cedar Hill #231 is installed with mitered corners making this two-level landing a work of art.

All installations and images courtesy of Colony Rug Company, Hanover, MA

Wednesday, July 3, 2013

Happy Fourth of July!

Centennial Hooked Rug.


The Fourth of July! A time to celebrate the independence of our country, the greatest in the world. A time when everybody can join the celebration.  

Waiting endlessly for the summer to arrive, and now Boom! Suddenly it's here - and here we are, in the land of opportunity, where truly anything is possible. Strike up the band and let the fireworks begin!  

We have so much to celebrate - the Fourth reminds us of how fortunate we are that our forefathers were so incredibly ...well, awesome!

Monday, April 15, 2013

Annual Warehouse Sale

Our annual warehouse sale is fast approaching! As always, there will be a wide selection of designs and sizes on sale from 40 – 75% off. 


This year the sale will run from Monday, April 29th through Wednesday, May 8th at our warehouse in Long Island City. We will be open weekdays from 10:30 am – 6:00 pm, closed on Saturday and Sunday.

Woodard & Greenstein
37-24 24th Street, Suite 307
Long Island City, NY 11101

If you cannot make it in person, please call the shop at 212-988-2906. We will honor all sale prices for orders by phone during the sale.

Monday, January 21, 2013

1st Dibs Celebrates New Book Signing

One of the best things about New York City is - if it's January 17, 2013 - how easy it is to jump in a taxi and in 10 minutes or so you are at 1st Dibs' 5th Avenue digs sipping cocktails in celebration of designer Eric Cohler's new book, Cohler on Design. Ace photographer Blanche Greenstein caught Financial analyst Dawn Wright and me checking out the glorious photographs of rooms created by the well known designer, whose fabrics are currently enjoyed in The White House. The amazing honcho of 1st Dibs, Michael Bruno, once again showed his high style as the sponsor of the very festive event.



Wednesday, December 19, 2012

To our friends in Newtown

Our deepest sympathies to the people of Newtown, Connecticut.  
To our old friend, Scudder Smith, Publisher/Editor of the Newtown Bee, his family, his staff and their families, and all their friends and neighbors in the beautiful community of Newtown.  

The indescribable shock and pain of an unspeakable crime have, as Scudder and his son, David, said, knocked the breath from us and broken our hearts.  That is true of everyone we know outside of Newtown, as well.

Most of all, to the families of the 20  children and the 6 school personnel whose lives were tragically taken in this incomprehensible act, our thoughts are with you, and there are no words to express our sorrow.

Blanche Greenstein
Thomas K. Woodard

Antique Quilts: Celebrating the Holidays



Historically, some of the finest quilts were made to be brought out for special occasions and important events only, like birthdays, anniversaries, Christmas and New Year's. These were the quilts that were carefully handled and preserved, not the utilitarian quilts that were made for everyday use. Holidays offered a time to display the makers' best; those sometimes spectacular displays of exceptional needlework created at home.  

19th- and early 20th-Century mothers and grandmothers were not distracted by things like TV, or jet trips around the world, so they found the time, even while managing a household, to give their undivided attention to quilting. The results were, at times staggering - beautiful, colorful spreads richly filled with fine quilting stitchery. In a way, each quilt in itself was a celebration of the seamstresses’ hard work, determination, and imaginative use of materials at hand, all peculiarly American. Each quilt is a handmade textile greeting card offering warmth and comfort, a personal expression of hope for peace and good will from the quilters of our past.    


Twenty pieced "Sunbursts" explode on a white ground, surrounded with star-like floral motifs and a radiant diamond border. The curious curvilinear motifs appliqued in all four corners add an unusual, art nouveau-like finishing touch. Quilters in 19th-Century America possessed remarkably creative approaches to making bed covers of extraordinary workmanship. 


Here is an exceptional example of a finely appliqued and quilted traditional bed cover of the 19th-Century. Made by a highly skilled quilter, this spread is extraordinarily stitched with elaborate detail. The scalloped inner borders and edges display the work of only the most advanced quilt maker. The "Swag and Tassel" border is on three of the four sides of the quilt, following a nineteenth century tradition which leaves one side for the head of the bed.


Exceptionally large, this finely stitched and quilted spread in a traditional, surprisingly flamboyant pattern, has a mate with slight differences. Pairs or complementing quilts were sometimes made for the dowries of the maker's daughters. It would be difficult to calculate not only the number of stitches but also the amount of love and devotion that went into the making of these outstanding spreads.


The maker set her sights high on this ambitious project - the creation of two magnificent quilts of equal beauty and craftsmanship, perhaps for two daughters to begin their marriages, a popular tradition among 19th-Century American quilters. Slight variations, such as the inner and outer borders, differentiate the two pieces, but both equally retain their rare beauty, thus insuring that neither daughter could ever feel slighted.


Textile folk art flourished in 19th-Century America. It was a time when quilters applied their energies and creativity towards producing bed covers that were not only astonishingly beautiful but uniquely American. Using whatever materials were available and working at home, quilters managed to create pieces that transcended the lowly bedspread and were sometimes worthy of hanging as wall art, although that is a 20th-Century idea. Here, pieced "Lilies" alternate with appliqued "Trees" in a graphic design, delineated by triangle "Sawtooth" outlines, with an outer border of "Vines of Blossoms and Leaves". Quilters never seemed to run out of steam, paying careful attention to every detail all the way to the carefully stitched edges.

 Antique quilt:  "Baskets". American.  Late 19th-Century.  

Although there are many variations of the "Baskets" motif, few are as effectively presented as this example with a rigidly exact arrangement of the motifs.  The "Baskets" are skillfully pieced of solid red with green calicoes, with solid red squares punctuating each quilt block.  The precision of little tin soldiers comes to mind, all lined up on the diagonal across the white ground.  Angular basket handles add a sharp edge to the overall design, and the crisp texture of straight line quilting on a muslin ground provides an effective contrast.

Quilts, America's favorite folk art, are especially welcome to enjoy during the holidays. In some ways, even just viewing their images may offer respite from the tough realities that accompany this 2012 holiday season.  

We at Woodard & Greenstein send you our best wishes for the holidays! 

Monday, December 3, 2012

Looking Back



Every so often a journalist will flatter my partner, Blanche Greenstein, and myself by interviewing us as "influential" or "notable" in expanding people's interest in quilts over the last few decades.  Suddenly feeling like dinosaurs, we are reduced to stumped silence by questions like "What did you do to influence the quilt world, and why?"  The last thing that ever would have occurred to two young, passionate quilt aficionados such as us in the early 1970's was to embark on doing something important and/or significant.  

Our prime focus was to get out there and find the best quilts possible, those amazing and peculiarly American marvels that quilters in the 19th- and early 20th-Century quilters created.  Competition was lively, and getting to flea markets like Shupp's Grove in Pennsylvania before dawn was imperative. Working hurriedly with a flashlight through fresh loads of goodies being brought in by country dealers, was exhausting and, sometimes, exhilarating.  "The lure of the chase" as it has been called was foremost in our minds.  

The delight at occasionally discovering genuine masterpieces is hard to describe.  Those real treasures of the quilting world were on this planet before we arrived, and hopefully will be here long after our departure.  We simply followed our passion, and, with a little luck and a lot of help from friends and clients, we are still at it.  To read more about our partnership, please see our web portrait on Quilt Alliance: http://www.allianceforamericanquilts.org/treasures/main.php?id=5-16-C

Friday, October 5, 2012

Vote for Your Candidate! Historic Bandanas for Campaigns for U.S. President

The presidential election season is entering its final days, and the trappings of campaigning are ubiquitous. It's during this quadrennial event that we look back at what Presidential campaigning was before mass media transformed elections into what they are today, replete with television and radio advertising, talk show appearances, and daily news. Long before bumper stickers, there was the colorful, graphic campaign bandana.

Cleveland and Thurman Political Bandana 1888
Grover Cleveland/Allen Thurman Political Bandana 1888
(click for additional info)

Martha Washington probably was not aware that when she commissioned a souvenir bandana depicting an heroic Commander-in-Chief as a surprise gift for her husband, she launched a kind of “bandana bandwagon” that never seems to run out of steam, even to the present day. That particular bandana, thought to be America’s first, is safely secure in the collection of the New York Historical Society, NYC. Important history was recorded in that unique textile, created by a defiant printer, John Hewson, despite the British ban on textile printing. Cannons, flags, and a salute to Washington as founder and protector of liberty and “independency” encircle a strong leader on horseback in this small cloth square, marking the beginning of America’s love affair with the lowly bandana.

Harrison and Morton Political Bandana 1888
Benjamin Harrison/Levi Morton Political Bandana 1888
(click for additional info)


Pre - television politics in America readily embraced the idea of using bandanas as a means of spreading the word to everyone, including the working classes, whose votes were needed to win elections. Portraits of the candidates surrounded by spectacular patriotic displays of flags, eagles, stars, and inspiring legends, such as PROTECTION & PROSPERITY and TARRIFF REFORM were printed on cotton, and some times silk, as textile advertisements.

Wendell Willke Political Bandana 1940
Wendell Willke Political Bandana 1940
(click for additional info)
The rage for political bandanas swept the country as an inspiration for songs about the “red bandana”, fashion statements featuring bandanas worn in men’s pockets, the formation of a Bandana Club, and enthusiastic displays of support for political party candidates by fired up delegates, cheering and waving their cloth banners in convention halls.

Campaign Bandana Harrison/Morton 1888
Benjamin Harrison/Levi Morton Campaign Bandana 1888
(click for additional info)
Much of the flavor and fervor of America’s political history has been captured and preserved in these colorful printed cloth squares, documenting important issues of the day, such as fair wages for workers, and even the words and music for a song entitled “We Want Teddy”.
Theodore Roosevelt 1912 Campaign Bandana
Progressive/Roosevelt/1912/Battle Flag
(click for additional info)

The Smithsonian Institute, as well as other museums and private collectors, have recognized the significance of these textiles for providing an exuberant pictorial history of American politics. A number of outstanding examples from their collections are illustrated in Threads of History,(Collins, Smithsonian Institution Press, Washington DC,1979) and The American Bandana,(Weiss, Chronicle Books, San Francisco, 1990), and Long May She Wave (Hinrichs & Hirasuna, Ten Speed Press, Berkeley, 2001).

Monday, July 2, 2012

Celebrating the Fourth

Over the years Woodard and Greenstein has acquired many rare pieces of Americana, including an extensive collection of 19th and 20th century campaign bandannas, and what more fitting time to showcase these unique and charming finds than on the Fourth of July? Here's a sampling of our favorite pieces paying homage to the red white and blue. As always, these and other American antiques can be found and purchased on 1stdibs.com. Have a happy Fourth!

Applique and Pieced Quilt top: GOD BLESS AMERICA
Applique and Pieced Quilt top: GOD BLESS AMERICA c.1914-1920. A patriotic handmade quilt top mounted on stretchers with 48-star American flag, and a soldier at the pole base.
1888 Campaign bandanna: Harrison/Morton
Campaign Bandanna: Harrison/Morton 1888. Inscribed "Protect Home Industry" with portraits of the candidates.
Political Bandanna Harrison/Morton 1888
Political Bandanna: Harrison/Morton 1888. Inscribed "Protection vs. Free Trade / "Pension for Soliders / Aid for Free Schools". 
1940 Political Bandanna: Wendell Wilkie
Political Bandanna: Wendell Wilkie 1940. Wendell Wilkie campaigned against  Franklin D. Roosevelt in the 1940 presidential election.
Pair of 1888 Harrison/Morton campaign bandannas
Pair of Campaign Bandannas 1888. A pair of Harrison/Morton bandannas, included in "Threads of History" published by the Smithsonian Institute. 
Antique 19th century pieced quilt
Antique Quilt: Feathered Star Variation: Late 19th century finely pieced graphic variation of traditional design in red, white, and blue.
Early 20th century miniature Adirondack chairs
Pair of miniature Adirondack chairs and single Adirondack chair c. early 20th century. A charming pair of red and white painted wood miniature chairs, and a single red painted wood  miniature chair.
Trade Sign: National Union Fire Insurance Company 1900
Trade Sign: National Union Fire Insurance Company c. 1900. Red white and blue patriotic shield with capitol building inspiring trust and confidence.
Early 20th century paper covered barrel cover
Paper covered barrel cover c. early 20th century. Patriotic colors and motifs decorate this exuberant advertisement for an American flour company.
Woodard Weave Georgetown 254
Woodard Weave design Georgetown 254 brings our love of Americana to our Woodard Weave Woven Rug collection with bold red, white and blue. 

Monday, May 7, 2012

Annual Warehouse Sale extended to May 11th!

The sale has been a real success this past week, and so we're excited to say that we'll be extending it to this Friday May 11th! For more information on the sale, hours, and placing an order over the phone see our post here.
Below are some pictures from the sale--enjoy!