Wednesday, January 30, 2013
A Tour of The Metro Antiques Show in NYC January 24-27, 2013
The Metro Show was a dazzling and impressive event beautifully staged by top dealers
from nearby as well as faraway places. Full of energy and creativity
provided by the knowledgeable, enthusiastic specialists in art and
antiques, this event is a welcome breath of fresh air, replacing the
show formerly sponsored by the Museum of American Folk Art. The show
has come into its own under the guidance of a professional team of
organizers, retaining the best of past shows plus making new additions
and greatly expanding the antiques and art show experience. Each of
the various January show events in NYC has its own distinct, unique look
and feel - this one is up there with the best.
Monday, January 28, 2013
A visit to the Antiques at the Armory Show, NYC, January 25, 2013
A big event in antiques and the arts week in New York City is opening
day at the Antiques at the Armory Show near Gramercy Park. This Stella
managed winter extravaganza did not disappoint. Always exciting and
energetic, the event was jammed with visitors from all over the country,
eagerly checking out the fantastic line-up of wares from some of the
highest quality dealers in the business. This show differs from many
others in that it has elegance, charm, and glamour at, if you look
carefully, affordable prices. Here are some of our favorites.
| The textiles in Michelle Fox's extensive collection never fail to cause a stir, particularly with her patriotic items including historic flags and antique quilts, all in pristine condition. |
Two killer hooked rugs and an architectural bird house in old white
paint were just part of the knockout display presented by Jewett-Berdan
Antiques, New Castle, ME.
|
Monday, January 21, 2013
1st Dibs Celebrates New Book Signing
One of the best things about New York City is - if it's January 17, 2013
- how easy it is to jump in a taxi and in 10 minutes or so you are at
1st Dibs' 5th Avenue digs sipping cocktails in celebration of designer
Eric Cohler's new book, Cohler on Design. Ace photographer Blanche
Greenstein caught Financial analyst Dawn Wright and me checking out the
glorious photographs of rooms created by the well known designer, whose
fabrics are currently enjoyed in The White House. The amazing honcho of
1st Dibs, Michael Bruno, once again showed his high style as the sponsor of
the very festive event.



Wednesday, December 19, 2012
To our friends in Newtown
Our deepest sympathies to the people of Newtown, Connecticut.
To our old friend, Scudder Smith, Publisher/Editor of the
Newtown Bee, his family, his staff and their families, and all their
friends and neighbors in the beautiful community of Newtown.
The indescribable shock and pain of an unspeakable
crime have, as Scudder and his son, David, said, knocked the breath from
us and broken our hearts. That is true of everyone we know outside of
Newtown, as well.
Most of all, to the families of the 20 children and
the 6 school personnel whose lives were tragically taken in this
incomprehensible act, our thoughts are with you, and there are no words
to express our sorrow.
Blanche Greenstein
Thomas K. Woodard
Antique Quilts: Celebrating the Holidays
Historically, some of the finest quilts were made to be
brought out for special occasions and important events only, like birthdays, anniversaries, Christmas and New Year's. These were the quilts that were
carefully handled and preserved, not the utilitarian quilts that were made for everyday use. Holidays offered a
time to display the makers' best; those sometimes spectacular displays of
exceptional needlework created at home.
19th- and early 20th-Century mothers and grandmothers were
not distracted by things like TV, or jet trips around the world, so they found
the time, even while managing a household, to give their undivided attention to
quilting. The results were, at times staggering - beautiful, colorful
spreads richly filled with fine quilting stitchery. In a way, each quilt
in itself was a celebration of the seamstresses’ hard work, determination, and
imaginative use of materials at hand, all peculiarly American. Each quilt is a
handmade textile greeting card offering warmth and comfort, a personal expression of hope for peace and good will from the
quilters of our past.
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Twenty
pieced "Sunbursts" explode on a white ground, surrounded with star-like
floral motifs and a radiant diamond border. The curious curvilinear
motifs appliqued in all four corners add an unusual, art nouveau-like
finishing touch. Quilters in 19th-Century America possessed remarkably
creative approaches to making bed covers of extraordinary workmanship.
Here
is an exceptional example of a finely appliqued and quilted traditional
bed cover of the 19th-Century. Made by a highly skilled quilter, this
spread is extraordinarily stitched with elaborate detail. The scalloped
inner borders and edges display the work of only the most advanced quilt
maker. The "Swag and Tassel" border is on three of the four sides of
the quilt, following a nineteenth century tradition which leaves one
side for the head of the bed.
Exceptionally
large, this finely stitched and quilted spread in a traditional,
surprisingly flamboyant pattern, has a mate with slight differences.
Pairs or complementing quilts were sometimes made for the dowries of the
maker's daughters. It would be difficult to calculate not only the
number of stitches but also the amount of love and devotion that went
into the making of these outstanding spreads.
The
maker set her sights high on this ambitious project - the creation of
two magnificent quilts of equal beauty and craftsmanship, perhaps for
two daughters to begin their marriages, a popular tradition among
19th-Century American quilters. Slight variations, such as the inner
and outer borders, differentiate the two pieces, but both equally retain
their rare beauty, thus insuring that neither daughter could ever feel
slighted.
Textile
folk art flourished in 19th-Century America. It was a time when quilters applied
their energies and creativity towards producing bed covers that were not
only astonishingly beautiful but uniquely American. Using whatever
materials were available and working at home, quilters managed to create
pieces that transcended the lowly bedspread and were sometimes worthy
of hanging as wall art, although that is a 20th-Century idea. Here,
pieced "Lilies" alternate with appliqued "Trees" in a graphic design,
delineated by triangle "Sawtooth" outlines, with an outer border of "Vines of Blossoms and Leaves". Quilters never seemed to run out of
steam, paying careful attention to every detail all the way to the
carefully stitched edges.
Antique quilt: "Baskets". American. Late 19th-Century.
Although
there are many variations of the "Baskets" motif, few are as effectively
presented as this example with a rigidly exact arrangement of the
motifs. The "Baskets" are skillfully pieced of solid red with green
calicoes, with solid red squares punctuating each quilt block. The
precision of little tin soldiers comes to mind, all lined up on the
diagonal across the white ground. Angular basket handles add a sharp
edge to the overall design, and the crisp texture of straight line
quilting on a muslin ground provides an effective contrast.
Quilts, America's favorite folk art, are especially welcome to enjoy during the holidays. In some ways, even just viewing their images may offer respite from the tough realities that accompany this 2012 holiday season.
We at Woodard & Greenstein send you our best wishes for the holidays!
Monday, December 3, 2012
Looking Back
Every so often a journalist will flatter my partner, Blanche
Greenstein, and myself by interviewing us as "influential" or
"notable" in expanding people's interest in quilts over the last few
decades. Suddenly feeling like dinosaurs, we are reduced to stumped
silence by questions like "What did you do to influence the quilt world,
and why?" The last thing that ever would have occurred to two young,
passionate quilt aficionados such as us in the early 1970's was to embark on
doing something important and/or significant.
Our prime focus was to get out there and find the best
quilts possible, those amazing and peculiarly American marvels that quilters in
the 19th- and early 20th-Century quilters created. Competition was
lively, and getting to flea markets like Shupp's Grove in Pennsylvania before dawn was imperative.
Working hurriedly with a flashlight through fresh loads of goodies being
brought in by country dealers, was exhausting and, sometimes, exhilarating.
"The lure of the chase" as it has been called was foremost in
our minds.
The delight at occasionally discovering genuine masterpieces
is hard to describe. Those real treasures of the quilting world were on
this planet before we arrived, and hopefully will be here long after our
departure. We simply followed our passion, and, with a little luck and a
lot of help from friends and clients, we are still at it. To read more
about our partnership, please see our web portrait on Quilt Alliance: http://www.allianceforamericanquilts.org/treasures/main.php?id=5-16-C
Labels:
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Friday, October 5, 2012
Vote for Your Candidate! Historic Bandanas for Campaigns for U.S. President
The presidential election season is entering its final days, and the trappings of campaigning are ubiquitous. It's during this quadrennial event that we look back at what Presidential campaigning was before mass media transformed elections into what they are today, replete with television and radio advertising, talk show appearances, and daily news. Long before bumper stickers, there was the colorful, graphic campaign bandana.
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| Grover Cleveland/Allen Thurman Political Bandana 1888 (click for additional info) |
Martha Washington probably was not aware that when she commissioned a souvenir bandana depicting an heroic Commander-in-Chief as a surprise gift for her husband, she launched a kind of “bandana bandwagon” that never seems to run out of steam, even to the present day. That particular bandana, thought to be America’s first, is safely secure in the collection of the New York Historical Society, NYC.
Important history was recorded in that unique textile, created by a defiant printer, John Hewson, despite the British ban on textile printing. Cannons, flags, and a salute to Washington as founder and protector of liberty and “independency” encircle a strong leader on horseback in this small cloth square, marking the beginning of America’s love affair with the lowly bandana.
Pre - television politics in America readily embraced the idea of using bandanas as a means of spreading the word to everyone, including the working classes, whose votes were needed to win elections. Portraits of the candidates surrounded by spectacular patriotic displays of flags, eagles, stars, and inspiring legends, such as PROTECTION & PROSPERITY and TARRIFF REFORM were printed on cotton, and some times silk, as textile advertisements.
The rage for political bandanas swept the country as an inspiration for songs about the “red bandana”, fashion statements featuring bandanas worn in men’s pockets, the formation of a Bandana Club, and enthusiastic displays of support for political party candidates by fired up delegates, cheering and waving their cloth banners in convention halls.
Much of the flavor and fervor of America’s political history has been captured and preserved in these colorful printed cloth squares, documenting important issues of the day, such as fair wages for workers, and even the words and music for a song entitled “We Want Teddy”.
The Smithsonian Institute, as well as other museums and private collectors, have recognized the significance of these textiles for providing an exuberant pictorial history of American politics. A number of outstanding examples from their collections are illustrated in Threads of History,(Collins, Smithsonian Institution Press, Washington DC,1979) and The American Bandana,(Weiss, Chronicle Books, San Francisco, 1990), and Long May She Wave (Hinrichs & Hirasuna, Ten Speed Press, Berkeley, 2001).
![]() |
| Benjamin Harrison/Levi Morton Political Bandana 1888 (click for additional info) |
Pre - television politics in America readily embraced the idea of using bandanas as a means of spreading the word to everyone, including the working classes, whose votes were needed to win elections. Portraits of the candidates surrounded by spectacular patriotic displays of flags, eagles, stars, and inspiring legends, such as PROTECTION & PROSPERITY and TARRIFF REFORM were printed on cotton, and some times silk, as textile advertisements.
![]() |
| Wendell Willke Political Bandana 1940 (click for additional info) |
![]() |
| Benjamin Harrison/Levi Morton Campaign Bandana 1888 (click for additional info) |
![]() |
| Progressive/Roosevelt/1912/Battle Flag (click for additional info) |
The Smithsonian Institute, as well as other museums and private collectors, have recognized the significance of these textiles for providing an exuberant pictorial history of American politics. A number of outstanding examples from their collections are illustrated in Threads of History,(Collins, Smithsonian Institution Press, Washington DC,1979) and The American Bandana,(Weiss, Chronicle Books, San Francisco, 1990), and Long May She Wave (Hinrichs & Hirasuna, Ten Speed Press, Berkeley, 2001).
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